Heir to a tradition of Penjing and trained as an aquaculture engineer, I have been specializing in training Bonsai techniques from seedlings, cuttings, layering to grafting for more than 22 years in France.
Currently, I’m focusing on my main activity of creation of unglazed figures or mudmen bonsai figures, another art associated to Bonsai-penjing for over 1400 years. The figures are carved in stoneware clay and baked between 1000 and 1250 °C. Each piece is unique and bears the seal of the author. These figurines will soon be available to bonsai enthusiasts and collectors.
A bit hard to spot the tree in this picture with all the luscious green growth! However its a very healthy looking planting. The large expanse of the same moss might be made a little more interesting
Now would be a good time to winter prune. This means to cut back the twigs to 2 buds. This increases ramification. Its a good idea to do this sort of pruning about 1 week or so after the leaves have d
These are some images from our trip to Japan in Autumn 2012. The people of Japan enjoy a feast of colour each Autumn with the Japanese maples in brilliant yellows, oranges and reds. I hope you enjoy t
May 19
Terry Erasmus Leaving again for Japan on 29th May. I am so excited.
I haven't watched any videos on carving to be honest. I will definately take a look at these. This is also the first tree I ever carve. My previous experience with carving was with normal pieces of wo
I am happy with the progress. I think I may need to remove one of the branches on the right, but for the moment I will leave them. I will need to leave the tree now to settle again and also for the ve
Recently collected olives from the Koega development zone in PE. Its been a couple weeks since I collected these trees and I notice the one has started to shoot new leaves. So far so good......
What Darren states is all correct however in my experience there are also hidden costs which accumulate very rapidly. For instance although it is not difficult to get the certificate in Japan, provide
Hi Emile, as we chatted the other day....the soil mix is very organic and will retain too much moisture which could lead to roots rotting and dying. It should be in a faster draining mix. Now would no
Gary, wish you were able to make it for our monthly meeting this month. The person who was meant to do the talk on Penjing has declined. Its the third Thursday of every month........
Brett, on second thoughts.... why not develop the tree with the deadwood on top as you have the material. Then you could always eliminate it later. Eliminate it now and its no longer an option. To add
Thanks Gary. Yes I will need to remove a couple of the lower branches however I would like to do a lot of carving on this tree. I am trying to get some time to sketch out what I want to do with the tr
What sort of glue are you using Gary? I know in some of the books I have seen a "cement" being used. If the glue is permanent is it possible to move the stones in later years should you decide to chan
How do you safely cut the rocks Gary? Angle grinder with diamond cutting disc or what? I have heard some people saying they take rocks to be cut at a stone mason, however I am not sure how willing the
Great development Gary. Its becoming an exciting tree this. Are you going to taper/carve the jin at the top before the foliage develops too much and you run the risk of damaging it should you do it la
Not to disagree with Gary but I think it breaks the outline of the canopy in an unsettling way. However I can understand why Gary likes it, his role model is Kimura and Master Kimura loves to do this